Half The World Now Own An Ebook-Friendly Smartphone. Still Think Going Global Is A Crazy Idea?

Global Digital NOV 2015

Latest stats show the world’s total population at 7.3 billion. And over half of them – 51% – own smartphones that could be carrying our ebooks.

A quarter billion people have started using the internet for the first time just in 2015. 300 million people around the world have used social media for the first time this year. In almost every case that has been driven by globile – that is, global mobile.

And the growth rates are accelerating, not slowing.

The scale of our potential global readership is simply staggering, and growing literally by the day.

Obviously its not quite that black and white – not all smartphone users are actually connected to the internet, fewer still will be readers, and fewer still of those will actually be able to access our ebooks even if we have the best possible distribution.

But when we start talking numbers on this scale even tiny percentages can be massive in real terms.

As I’ve said many times, the global ebook marlets will collectively dwarf the US market over the next few years.

A full global overview will be available in early 2016. Meantime there’s a very instructive regional overview of SE Asia just released.

TechInAsia has a great post (LINK) on the digital transition in SE Asia (that’s roughly Asia to the east of India and south of China – essentially Indonesia, the Philippines, Singapore, Malaysia, Cambodia, Thailand, etc.

With over 600 million people – almost twice the size of the US population – SE Asia should be on every author’s radar as a place to reach readers.

And rather helpfully 250 million of them are active internet users and 230 ae active on social media.

Check out the TechInAsia post for a comprehensive breakdown.

Here to look closer at the social media element, where there are a few surprises in store for those of us who still think Facebook and twitter are the only shows in town.

Needless to say Facebook is still the biggest player.

But in second, third and fourth place are not social media networks at all but those annoying messaging apps we indies do our best to ignore.

WhatsApp at #2, followed by QQ, then Facebook Messenger.

Twitter next? No, not yet.

Next comes the social media network QZone, followed by another messaging app, WeChat.

Followed by Instagram, and only after Ingram comes twitter.

To be fair, twitter has a respectable 316 million users in the region, but Instagram has 400 million.

And racing up behind are, amongst the regional names we may never have heard of, more familiar players.

249 million Viber users.
230 million Tumblr users.
211 LINE users.
200 million Snapchat users.
100 million Pinterest users.

Drilling down regionally for targetted marketing by country will help you focus on which network or messaging app is best by country.

Facebook is massive in Indonesia, for example, but in Thailand LINE is almost as big as Facebook.

In the Philppines Viber is especially strong.

I’ll be dissecting the data country by country in future posts, and needless to say I’m counting the days until the full global report is released.

Safe to assume the same pattern we are seeing here in SE Asia is being replicated across much of the planet.

Globile is changing the world, literally, and part of that change is a fast-growing global publishing market quite beyond anything we could have envisaged back in 2009-1010. A huge, globile market in which indie authors and big publishers alike can play a role.

When I first began talking about a global ebook market driven by smartphones, back in 2011, it all seemed too good to be true.

Fast forward five years and the Global New Renaissance is real, It’s happening. Right now.

Books and ebooks are a central part of it.

Are you?

Don’t let the incredible opportunities unfolding pass you by because a fixation on the US market is easier and more convenient.

Think about the next five years, not the next five weeks.

Catching Up On The Global Publishing Scene. November 2015 Update.



Asia’s Emerging Ebook Markets.

When it comes to global ebooks sales we all need to think “globile”. That is, global mobile.

Much of the world have simply skipped the entire desktop PC and dumb-phone era and gone from no internet access to 3G and 4G smartphones, pretty much overnight.

With every single smartphone a device that could be carrying our ebooks the potential for authors and publishers is hard to exaggerate. But where to focus one’s strategic planning?

That graphic from Google at the top of this post may help decide.

For those unfamiliar with the international two-letter country coding:

  • AU is Australia
  • ID Indonesia,
  • TW Taiwan,
  • SG Singapore
  • HK Hong Kong
  • JP Japan
  • KR South Korea.

Right now Korea is the tops and India and Indonesia are way down the list in terms of smartphone penetration. But it’s these two countries that are among my top priorities.

Not just because they are fast growing (India will likely be the second largest smartphone market next year) but because Indians and Indonesia, coming late to the internet world, are far more reliant on smartphones in their everyday lives than we in the rich west who use smartphones mainly as an add-on to our existing desktops, laptops, e-readers, dumbphones, landline phones, etc.

And given India is the nation that reads the most, and the sixth largest book market on the planet even before smartphones fully impact, it’s not hard to see why even the more cautious commentators are now joining me in predicting India will be the next ebook gold-rush.

# # #

Africa Watch 1: Egyptian Book Store Chain Sets Up In UK.

In a sure sign of how the Global New Renaissance is taking hold, the Egyptian bookstore chain ALEF has opened a store in… London.

Read the linked post on Publishing Perspectives for the full story. (LINK)

Here just to extract the most pertinent point:

“We believed that people in Egypt don’t read because they don’t have access to books, and we turned out to be right…”

In fact ALEF is doing “booming business” in Egypt and the new London store is just the first step of their international expansion, selling not just Arabic-language books but Arabic books translated into English.

Yes, there are issues of (comparatively) low literacy levels in many countries across Africa, the Middle East and elsewhere. But the idea that people in these countries therefore don’t read is just ludicrous. The problem is, always, about availability and affordability.

And for indie authors and trad pub publishers alike the new “globile” markets where everyone and their dog has a smartphone in their hand, mean that we can, increasingly, reach readers hitherto completely beyond reach.

As we hurtle into 2016 the possibilities – and opportunities – ahead are unprecedented.

Don’t let them pass you by.

Go Globile in 2016 and build a truly international readership for your brand.

# # #

33% Of French Commuters Prefer Ebooks

It will come as no surprise to learn that French train commuters, just like commuters in many countries, while away the journey reading.

The French railway operator SNCF estimate 75% of passengers read books on their journey. (LINK)

What may come as a surprise is that 33% of them e-read – either on dedicated e-readers or on smartphones.

SNCF responded by offering their own ebook subscription service with 100,000 French-language titles. Check out the SNCF store here. (LINK)

It’s not clear who is supplying SNCF, but that’s neither here nor there.

What is key for us as indie authors is the direction digital reading in France is taking.

Ebooks, may still be a tiny fraction of the overall French book market, but early days.

Hard to imagine though it is, just a few years ago the US and UK were nascent markets with only a handful of people reading ebooks.

And in those early years it was very easy for a handful of savvy, forward-thinking indie authors to be very big fish in a very small pond.

This is the true beauty of the global nascent markets right now. There are open goals out there. Major opportunities to be big fish in small ponds now and to grow into even bigger fish as those ponds grow.

Already this year we’ve seen western indies top the charts in China. We’ve seen India leapfrog the UK as the second-largest English-language book market. In Germany indie authors have been dominating the ebook charts for some while.

Across Asia, Latin America and eastern Europe the book markets – and especially the ebook markets – are seeing a new vitality as the Global New Renaissance takes hold.

No, none of these markets (except China) can compare to the US market today. But that’s to miss the point.

And more importantly to miss the opportunity.

Because many of these so-called nascent markets – China, India, Germany, Latin America, Indonesia, etc – are already as big, or bigger (much bigger in the case of China) than the US market was back in 2009-2010.

And back in 2009-2010 savvy indie authors like Amanda Hocking and John Locke were gigantic fish in a very small pond. Million-sellers at a time when hardly anyone in the US even knew ebooks existed.

When looking at the emerging global markets available to us now, don’t think “nascent – not worth bothering with”.


# # #

Children’s Book Sales “Booming” In China.

The Shanghai Children’s Book Fair took place earlier this month, and reports emerging (LINK) show a very vibrant children’s publishing sector with keen interest in titles from the wider world.

Hardly surprising given there are 370 million under-eighteens in China right now – more than the entire population of the USA. And that number could grow rapidly with the new two-child policy.

Incredible opportunities emerging in China across all genres, not just children’s books.

So far Fiberead remain the easy option for accessing this massive market, but I’m watching carefully for more direct opportunities alongside.

China is potentially the most lucrative of all the markets – the China market alone will dwarf the US market very soon – and it will rapidly expand over the next five years. But access is always going to be awkward. Not impossible, by any means, but not without its challenges.

Awkward it may be, but China should definitely be on the watch-list for any author serious about global reach.

# # #

New Distribution Channel’s For Audio Books.

While Amazon’s ACX is effectively the only show in town for indie audio, we should never rush to put all our eggs in one basket, because alternatives will be along soon enough.

  • Xin-Xii recently started distributing indie audio to German retailer.
  • Now, say hello to Author’s Republic (LINK), courtesy of AudioBooks(dot)com. (LINK)

I’ll investigate this further, but so far it looks like we now have a real alternative to ACX for distribution, although we’ll still need to get our audiobooks made first, which means ACX still has the advantage.

Author’s Republic does have some sort of iOS tool for making our own, but ACX clearly holds all the aces in this respect.

The Author’s Republic will distribute not only to Audiobooks(fdot)com but also to:

  • Audible
  • iTunes
  • Amazon
  • Barnes & Noble
  • Scribd
  • Downpour
  • tunein

as well as library providers such as

  • Findaway
  • Overdrive.

And presumably they will expand further on that as we head into 2016.

Perhaps more importantly, this will be the first of many. A matter of time now before other retailers open up audiobook self-pub portals themselves or ebook aggregators follow Xin-Xii’s lead and start distributing audiobooks.

Those locked into exclusivity with ACX for their audiobooks may be getting slightly better royalties (although Author’s Republic will supposedly be paying a competitive 35%) but could be missing out on reach, especially with Author’s Republic ‘s access to key outlets like OverDrive and Findaway which ACX will deny you.

And don’t forget good old-fashioned CDs. CDBaby can your audiobooks widely distributed for the majority of audiobook listeners that have not yet embraced digital.

Beyond that, another reason to avoid exclusivity is radio. Global radio is an exciting opportunity for indie authors converting their works to audio. More on that in another post.

# # #

Africa Watch 2: One Billion Reasons To Take A Second Look At Africa.

For authors and publishers, Africa remains the Dark Continent (which BTW meant and means “unknown”, not something derogatory) for book sales and discovery.

But for me it’s THE most exciting of the long-term prospects for indie authors, and one I’m following closely, although little chance of any significant sales there in the very near future.

But a new report confirms my anecdotal observations that Africa is embracing smartphones and 3G-4G mobile internet just like everywhere else on the planet.

Mobile subscriptions across Africa are expected to pass the one billion mark in 2016. (LINK)

That’s one helluva lot of people with devices that could have our ebooks on.

Contrary to popular opinion Africans love to read. Their problem is access to affordable books.

For authors, reaching African readers is the big challenge.

  • There is not a single Apple iBooks store anywhere on the continent.
  • Amazon blocks downloads to most of the continent and surcharges the rest, including South Africa.
  • Even Google Play, from whom you’d expect better, are only in South Africa so far.
  • Kobo is sort of available, but there is only a localized Kobo store in South Africa, and you need a bank card to use Kobo, so that makes it pretty irrelevant to most Africans.

Right now, South Africa aside, the African continent is not a friendly place for authors. But make no mistake – that’s an issue of distribution and accessibility, not a cultural indifference to books, ebooks and reading.

And there are a few bright spots on the horizon, as I’ll be reporting soon in an in-depth analysis of the state of play across my favourite continent. Meanwhile, check out further posts on Africa below.

I’m very excited by the emerging prospects for authors here in Africa. When I talk about the Global New Renaissance unfolding I really do mean Global, and I intend to be selling across many countries in Africa before this decade is over.

I’m a six-continent content-provider.

How about you?

# # #

$10 Smartphones At Wal-Mart.

With The Next Generation social media like Instagram and Pinterest, and messaging apps like Viber and WeChat getting hotter and hotter by the day, it’s a real PITA that you need a smartphone to participate. Even though many, like Viber, have desk-top access, you still need a smartphone number to sign up in the first place.

And some people, quite understandably, do not want the expense of a new phone, a monthly payment plan, etc just to join Instagram or Viber.

For those in America it seems salvation is at hand. Over at The Digital Reader Nate Hoffelder reports that Wal-Mart now offering a smartphone for just ten bucks, and on a Pay As You Go plan so no crazy monthly payments for a phone you may rarely use. (LINK)

Perfect to buy, along with a separate sim card and phone number, and use exclusively for social media like Instagram and messaging apps like Viber, Facebook Messenger, WeChat, etc.

As per previous posts, Instagram is now bigger than twitter. Messaging apps are reaching close to two billion people. An updated post on messaging apps this coming week.

Don’t get stuck in the past for the sake of ten bucks. Move with the times.

# # #

Africa Watch 3: Nigeria.

When it comes to global ebook sales Africa remains the last frontier as western ebook retailers continue to ignore this vast and exciting nascent market.

After all, Africa is still in the stone-age when it comes to digital, right? There’s no internet there, so no-one knows what smartphones are.

And as well know, nobody in Africa reads.

The latter point, however widely believed, is of course so laughable as not to bear further consideration.

But let’s take another look at the first point – that Africa is has yet to realise the internet even exists.

Leaving aside the above report, that Africa will have over one billion mobile subscribers in 2016, ponder this report on what Ericsson is up to in Nigeria.

Subscription video on demand.

Ericsson’s NuVu will launch in early 2016 offering some 3,000 local and international TV and films to eager Nigerian subscribers eager to use their smartphones for entertainment. (LINK)

Ericsson is working with leading international distributors to acquire content ranging from Hollywood to Nollywood (Nigeria has a thriving film industry).

How long before a dedicated Nigerian ebook subscription service pops up? Well, it certainly won’t be KU – Amazon has zero interest in Africa. But it will happen.

And just as Nigerians love Hollywood films so they do and will love western books (Nigeria is the largest English-speaking nation on the continent) – IF they are allowed access to them, and IF they are affordable.

Nigeria presents a great opportunity to start building a pan-African readership beyond the usual suspect, South Africa.

More on how soon. Here just to remind everyone that, as always, we should keep the third tier nascent markets like Africa firmly in mind when looking at the next five years.

No, absolutely no point anyone rearranging their schedule to prioritise Africa right now, but do keep Africa on your radar, and do lay the foundations there now for future development.

Nigeria, Kenya, Ghana and Tanzania are close to the tipping point where smartphones will become the main everyday access point to the internet for millions of English speakers. And there are plenty of other English-speaking nations in Africa not far behind. Malawi, Botswana, Zimbabwe, Liberia, Sierra Leone, etc. And even here in tiny The Gambia (yeah, The Gambia is one of only two countries in the world where the definite article is officially part of the country’s name).

And of course this is not some uniquely Anglophone phenomenon. French-speaking Cote d’Ivoire and Senegal, to name but two, are right up there in the globile (global mobile) stakes too.

Watch out for more reports on Africa below, and an in-depth report on Africa soon. The way things are shaping up here may well surprise you!

# # #

British Comedian Russell Howard’s Pending 2017 Global Tour.

No, not a book tour, but this isn’t as off-topic as it may at first seem.

Russell Howard is a British stand-up comedian who rose to fame in the UK on the back of the early days of the digital TV transition, when cheapskate TV productions flooded the myriad new broadcasting channels then emerging.

From being a largely unknown British comedian doing bottom-of-the-barrel shows for late-night TV micro-audiences Howard has, thanks to digital reach, built up a worldwide audience, in English, that goes far beyond the English language countries.

Yes, the tour is focussed on the UK, USA, Australia and New Zealand, but also Finland, Iceland, Sweden and Norway, and of course his wider reach through digital extends globally.

Howard already knows where his paying audience will be in 2017.

The key throughout all this is digital. Digital reach is global, and that goes every bit as much for books as it does for stand-up comic TV shows.

Yet many of us indie authors still treat ebooks as simply cheap versions of print books, to farm out to the same home-market audience as print books, and then to wonder why it’s such hard work actually finding an audience.

Far from thinking about 2017 many of us indies don’t even have 2016 on our radar, even though it’s weeks away.

I’ve no idea how much Russell Howard actually understands or cares about all this, or how much his success is down to having a great manager and Howard is just sitting back and enjoying the ride.

But I do know most of us indie authors don’t have managers to think outside the box for us and spot the opportunities unfolding as the Global New Renaissance gets under way.

That’s down to us.

We have unprecedented opportunities to expand our reach and our modes of delivery.

We have unprecedented opportunities to step out of our ebook novelist boxes and become global content-providers across formats, across multi-media and across multiple nations far beyond the usual suspects.

Don’t look on 2016 as just a new year.

Look on 2016 as a new opportunity to break new ground and reach new audiences quite unthinkable back in 2009-1010 when the “ebook revolution” began.

Don’t let these unfolding opportunities pass us by.

Think about the next five years, not the next five weeks.

# # #

Africa Watch 4: Google Play Is Rolling Out Youtube Offline Across Nigeria, Ghana, Kenya and South Africa.

No, it’s not ebook stores, but the direction is clear. Google is focussed on the wealthiest English-speaking countries in Africa.

So far Google Play only has one ebook store on the continent – in South Africa.

It’s a safe bet that, some time soon, Nigeria, Ghana and Kenya will follow suit.

Google Play already has more global ebook stores than any other retailer. Some sixty or so. We can expect that to increase next year.

Currently the Google Play Books self-pub portal is closed to newcomers – although existing clients can still upload direct.

For the rest of us will need to use an aggregator.

Sadly neither Smashwords nor Draft2Digital supply Google Play Books.

Luckily both StreetLib and PublishDrive do, and can get your titles on Google Play within 24 hours.

NB: Other aggregators like Ebook Partnership also supply Google Play Books, but they have up-front fees. StreetLib and PublishDrive are pay-as-you-sell aggregators.

Google Play is a tiny player in the US, and if that’s where you are focussed, don’t expect too much action. But elsewhere around the world Google Play can and should be a key part of your global strategy.

But do be aware that Google Play pretty much automatically discounts our titles to make them more appealing to its customers. Which is great, except…

This will inevitably put you in conflict with Amazon’s price parity clause which dictates you cannot sell cheaper on another retailer than on Amazon.

So to avoid being punished by Amazon for Google Play trying to offer customers a better deal, you’ll need to price higher on Google Play when you first list.

But don’t let that put you off. Google Play is an invaluable place to be if you plan on going global.

# # #

Africa Watch 5: ACE Soon To Reach South Africa.

Okay, so quite a lot on Africa here today, but that’s just an indication of how Africa is fast gearing up to become a significant part of the global publishing scene.

Still not convinced? Consider this news just in.

Phase 2 of the ACE (Africa Coast Europe) project is about to begin. (LINK)

Now that may mean absolutely nothing to most readers, so let me offer some background as to just why this is so significant.

I’m writing this from The Gambia, West Africa. One of the poorest nations on the planet.

Five years ago, when Kindle UK launched, I had to partner with someone in the UK just to get my books uploaded, because there was, for all practical purposes, no internet here. Just a ridiculously expensive connection in the hotels, at dial-up speed.

Today I’m on a 4G connection quite unimaginable just a few years ago.

All thanks to ACE, a submarine cable which connects France and Portugal with :

  • Canary Islands (Spain)
  • Mauritania
  • Senegal
  • Gambia
  • Guinea Conakry
  • Sierra Leone
  • Liberia
  • Cote d’Ivoire
  • Benin
  • Ghana
  • Nigeria
  • Equatorial Guinea
  • Gabon
  • Sao Tome & Principe

In addition two landlocked countries in the middle of the Sahara Desert, Mali and Niger, are connected via a terrestrial extension.

Hundreds of millions of people have suddenly, in the past few years, gained access to the internet in West Africa, completely by-passing the desktop and dial-up telephone line era, and are now enjoying 3G and 4G internet on smartphones.

As Phase 2 of ACE rolls out the submarine cable will extend all the way down the west coast of Africa, bringing European-standard internet to:

  • Namibia
  • Angola
  • Democratic Republic of Congo
  • Congo-Brazzaville
  • South Africa
  • as well as an extension to Cameroon

reaching almost a quarter billion people.

As reported above, the number of mobile subscribers in Africa is already expected to exceed one billion in 2016.

And that’s before Phase 2 of the ACE rolls out.

Unless you’ve actually been to a seriously Third World country it’s hard to imagine just how transformational the internet can be in terms of education, health and economic development. Or how much it can transform entertainment.

Ebook sales are probably the last thing the ACE team are thinking about as they roll out Phase 2, but indie authors looking at the global picture should be in no doubt about the new opportunities unfolding.

The global digital reading scene in 2020 is going to be far bigger than anything we can envisage right now.

I’ve said before and will say again – the global ebook markets will collectively dwarf the US market many times over in the coming years.

If you doubt that, just consider the projection for 2016. Over one billion mobile subscribers in Africa as soon as next year. That’s over one billion subscribers in Africa using a globile device that could be holding our ebooks.

That’s a billion people almost all of whom are completely off the radar of the big western ebook retailers right now.

That’s a great excuse for just ignoring Africa. But if we’re serious about becoming global bestselling authors then we can’t afford to ignore any prospective market. Least of all one with the potential of Africa.

Think about the next five years. Not the next five weeks.

# # #

NB These posts have appeared previously over the past week or two on The International Indie Author Facebook Group.(LINK)



Are Instagram. Pinterest And Tumblr Hot For Indie Authors? You’d Better Believe It!

TNG SMP 2014

A word of warning. This post is about The Next Generation social media opportunities available to indie authors wanting to expand their global reach. If that isn’t of interest, don’t read on.

If it is of interest, enjoy! And in particular pay attention to the graphic above.

# # #

When it comes to The Next Generation social media platforms many indies are letting pass us by, there are so many to choose from it’s understandable most of us just keep focused on Facebook and twitter and hope the rest will fade away.

Meantime savvy indies willing to step outside the box are doing extraordinarily well on these “new” platforms, many of which have actually been around for several years.

Take Tumblr, for instance.

Now Tumblr may be the last place you’d expect to find authors raking it in selling book on. But its gets crazier still.

Try poetry books.

Try completely unknown poets selling not tens, hundreds or even thousands, but hundreds of thousands of poetry books. And mostly in print, yet.

All thanks to social media sites like Tumblr and Instagram.

One poet, Tyler Knott Gregson, has accumulated over a half million followers on Tumblr and Instagram.

According to a post on Publishing Perspectives, “Out of the 10 best selling poetry books in the U.S., three are by poets who built followings on social media.” (LINK)

The post goes on, “…New Zealand–based (Lang) Leav(‘s) poems took off the moment she began posting them on Tumbler in 2012.” She now has almost a million followers.

Leav’s followers wanted to read her poetry in print. So she self-published – and sold 10,000 copies in the first month.

Which in turn led to an agent and trad pub deal and she’s since sold 300,000 copies. All thanks to being on Tumblr.

For internationalist indie authors there’s an interesting parallel here with addressing the global markets.

Most indies are focused on the overcrowded and hugely competitive US market to the exclusion of all else.

Just like most indies are focused on promotion using the overcrowded and hugely competitive social media platforms like Facebook and twitter to the exclusion of all else.

And yes, of course, those who hit the big time really hit the big time.

But the cold reality is, most of us don’t.

Likewise most of us use Facebook and twitter with moderate and usually ever-diminishing results, just as most of see moderate and ever-diminishing returns in the US book market.

In both cases the lesson is clear.

Stepping outside our comfort zones can bring its own rewards.

Being big fishes in small ponds can be very rewarding indeed.

And best of all, once you gain traction in these small ponds you grow as those ponds grow.

Those who are reading this at all have presumably already made the leap of faith and appreciate that, while the US market remains the biggest ebook and book player right now, the collective global markets are where the real opportunities lie.

Similarly we all need to make that leap of faith and recognize that, while Facebook and twitter are of course still major forces in social media promotion, they are not the only shows in town, and we ignore the rest at our peril.

Here’s the thing: Readers don’t give a flying fig how much time we authors have got to do our promo, or which social media platforms we prefer.

Readers use the social media platforms they prefer.

And if we are somewhere else then our author brand and our titles are not going to be on their radar.

Lost connections. Lost sales. Lost future loyal fans who might go on to buy our backlist and everything we publish in the future.

Tumblr may or may not be for you. But don’t dismiss it without taking a closer look.

And then there’s Instagram.

Instagram? That’s all about selfies, isn’ t?

Of course it is. In the same way as twitter is all about telling people what you had for breakfast, and Facebook is just for posting pictures of fluffy kittens.

Meanwhile savvy indies are enjoying significant revenue boosts by exploring the full potential of Instagram. Not least because Instagram is now bigger than twitter!

But no need to take my word for it. Check out this recent Bookbub blog post, motivatingly titled “15 authors running fantastic book promotions on Instagram”. (LINK)

I’ve posted many times about how the non-FB/twitter social media is where the promo action is moving, usually to blank stares and a thunderous silence from indies who understandably feel they already have far too much to keep up with.

But real-life doesn’t care for our overworked schedules,. Social media reach, just like the global book and content markets, will continue to grow and branch off in new directions regardless of how much we choose to bury our heads in the sand.

We’ve all heard of Pinterest, but how many of us are on it at all, let alone using it for book promo?

Is it worth the effort? Ponder this.

We all know the biggest social medium for referring people to retailers is Facebook.

But if we’re thinking twitter is the only other player that matters, we are well behind the times. As above, Instagram is now bigger than twitter.

But get this: The second-largest referrer of customers to retailers is… not twitter, but Pinterest.

Pinterest sends over four times more people to retailers than twitter does.

And while Facebook may be the biggie (now… nothing is set in stone in this game) Pinterest-referred-customers spend twice as much as customers who arrive at a retailer via Facebook.

Obviously we’re talking here major retailers who have the financial muscle and brand recognition to fully embrace the potential of Pinterest, but plenty of indie authors are using Pinterest very effectively on a smaller scale too.

Still not convinced? Check out this post on ALLi earlier this year. (LINK)

And for far more detail and how-to info check out this extraordinarily instructive post on Indie Recon. (LINK)

One reason Pinterest is so hot right now is that Pinterest’s demographic is far more affluent and better educated than either Facebook’s or twitter’s.

Leaked documents released a short while ago showed Pinterest is set to expand massively, with a ton of funding, and set to make big money, both for itself and for those who use it to reach consumers.

Pinterest is a global player with 70 million users at last official release of stats. The afore-mentioned leaked documents suggest the real number now is more like 150 million and rising fast.

And while that pales into insignificance besides the Facebook and twitter reach, let’s remind ourselves of those conversion rates again.

Pinterest sends over four times more people to retailers than twitter does. And Pinterest-referred-customers spend twice as much as customers who arrive at a retailer via Facebook.

As a career author, can you afford not to be taking Pinterest seriously? Or Instagram? Or Tumblr? Or…

They key with the so-called “next generation” or “new” social media like Instagram, Pinterest and Tumblr, and the messaging apps like Viber and WeChat, etc, etc, is that they reach a whole new audience beyond and often quite separate from our twitter/FB range.

This is especially so overseas where so many people are skipping the desktop experience altogether and going straight from no internet to smartphone apps.

For them Instagram and Weibo, Kik and Kakao-Talk, Viver and WeChat, Pinterest, Tumblr and Instagram, etc, are just part of the furniture.

They are not new and scary fads to be wafted away. They are where the action is.

And, increasingly, where our prospective readers are.

I’ll be following up this post with an update very shortly on the messaging apps scene, because messaging apps are another social media arena very few indies are taking seriously, and are consequently missing a major opportunity to reach new readers.

No, Instagram, Pinterest, Tsu, WhatsApp, WeChat and a gazillion other social media prospects may not be quite as big as Facebook now or in the near future.

But any and most likely several will prove be the perfect small ponds for us to be big fish in, if we will just step outside our comfort zone and take a closer look at the upstart start-ups chasing Facebook’s crown.

Remember, it was only a few short years ago that MySpace was the titan of social media and, for many a social media maven, the only show in town.

How times change.

As the first half of this decade winds down and the run-up to 2020 and the 5G era of the Internet of Things gets underway, we all need to be thinking seriously about the *next* five years and how radically different they are going to be from the *past* five years.

Embrace the future. Because it’s gonna happen whether we like it or not.

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Post Update:

$10 Pay-As-You-Go Smartphones At Wal-Mart. No Excuse Now For Not Joining The Next Generation Social Media Platforms.

With TNG social media like Instagram and messaging apps like Viber getting hotter and hotter by the day it’s a real PITA that you need a smartphone to participate.

Even though many, like Viber, have desk-top access, you still need a smartphone number to sign up in the first place.

And some people, quite understandably, do not want the expense of a new phone, a monthly payment plan, etc, just to join Instagram or Viber.

For those in America it seems salvation is at hand, with Wal-Mart now offering a smartphone for just ten bucks, and on a Pay As You Go plan, so no crazy monthly payments for a phone you will rarely use.

Perfect to buy, along with a separate sim card and phone number, and use exclusively for social media like Instagram and messaging apps like Viber, Facebook Messenger, WeChat, etc.

Messaging apps are now reaching close to two billion people. A full and updated post on this very shortly.

Don’t get stuck in the past for the sake of ten bucks. Move with the times. Get smart. Or at least a smartphone.

Think about the next five years, not the next five weeks.

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To keep up with all the news about the global ebook scene and ways to keep ahead of the game, check out The International Indie Author Facebook Group.

Click HERE.

Despite The Demise of Oyster, Ebook Subscription Services Are Mostly Doing Rather Well.

Mofibo may not be the first name to spring to mind when we indies think of ebook subscription services, but despite the constant flow of assurances that Oyster’s demise marks the end of the ebook subscription model, the model is actually doing just fine, thank you very much.

The demise of Blloon added fuel to the fire of speculation that ebook subscription services are dead in the water (KU excepted, of course), but that’s to ignore the inconvenient reality that even in the US many ebook subscription services are doing rather well – Epic! and Hoopla spring to mind – and more are coming online almost by the day. Even Disney is in on the act.

And in that big bad world beyond the US…

Yes, Blloon has fallen by the wayside. But Bookmate, Skoobe and 24 Symbols and a host of others are still going strong after several years, many are expanding, and new operators are appearing all the time, eager to jump on this lucrative bandwagon.

Nubico in Spain, Storytel in Sweden and Elisa in Estonia, for example.
And of course Mofibo.

Over at Publishing Perspectives this past week Nathan Hull of Denmark-based ebook subscription service Mofibo has some interesting observations to make on this subject. (LINK)

As Hull notes, while Oyster is closing down, its team were picked up by Google, so clearly they were doing something right, even if they didn’t quite manage to balance the books.

And Hull reminds us of MySpace, which the elders amongst us will remember was the social media titan as ebooks began to take off back in 2009-10. Despite having 75 million monthly active users MySpace fell by the wayside.

Was this the end of the social media experiment? Clearly not.

In similar vein, while many rejoiced at the demise of Borders and claimed it heralded the demise of print books and b&m bookstores, print is actually still holding its own years later despite the rise of ebooks, and even the mighty Amazon is now opening b&m stores to sell print titles.

The point being, if one or even several players in a business sector fail, this does not automatically mean the model is broken.

And often the next generation of players emerge all the stronger for it.

Hull says, “It would be a grave oversight by agents and publishers to not pursue dialogue, gather research and then experiment in field. Stagnation should not be an option.”

I can only add indie authors to the “agents and publishers”list.

But Hull has far more interesting revelations on offer.

As Business Development Officer for Mofibo Hull has the inside gen on how Mofibo is doing, and it turns out Mofibo is doing rather well.

In Hull’s words, “Much of the digital money for authors in Denmark is from Mofibo, the ebook subscription company where I work. No, it’s not a global brand. It’s not Amazon. It’s not Google. It’s not Apple.”

Which is worth dwelling on.

Many of us indies look at the size of an operator and conclude that if it’s not some mega-corporation it isn’t worth a second look.

But as Hull reports, “…the revenues generated (by Mofibo) are new money and do not affect print income. With print remaining unaffected, Mofibo has transformed the share of digital book sales in Denmark from 3% to 18% in just two years.”

Yeah, that’s the problem with these small-time start-ups without the brand recognition and deep pockets of an Amazon or Apple or Google. They have absolutely no chance of making an impact.

From 3% to 18% in two years?! Somehow I can’t imagine the authors and publishers who are in the Mofibo catalogue are complaining too much about that!

But as Hull says, “….It gets better. Unlike other retailers, Mofibo also gives all the data back to the publishers, allowing them to learn about their readers, the readers’ habits, their environments and much more, effectively providing the publisher with a wealth of business intelligence they have never previously received from a traditional retailer.”

Hull finishes, “Mofibo is a sustainable and profitable company seeing double-digit growth this year.”

That is, a sustainable and profitable ebook subscription service seeing double-digit growth.

Of course one big advantage Mofibo has is that it is not competing with Amazon’s Kindle Unlimited in Denmark, and very unlikely it ever will, as Amazon’s international Kindle expansion does not appear to have the smaller European nations on its schedule.

Which means two things for indie authors.

First, that if you are exclusive with Amazon for whatever reason you will not be seeing any benefits from the rapidly expanding global ebook markets outside the Kindle countries.

Secondly that, whatever you may read on the indie blogs circuit about how ebook subscription services are doomed, the reality is many ebook subscription services are doing rather well and delivering many benefits to authors and publishers.

Not just in terms of immediate rewards in the form of royalties, but in the form of data that can help authors and publishers refine their own business models to perform even better in the future.

The downside for indie authors is that, as best I can tell, there is no easy route into Mofibo right now.

Understandably Mofibo are not geared to handling micro-accounts from individual authors. Less understandably they do not seem to be on the distribution list of any of the major aggregators.

I’m really hoping someone will pipe up here and prove me wrong. It would be wonderful to know there is an indie-friendly aggregator supplying Mofibo.

Until such time, be sure to keep Mofibo on your radar and be ready to jump in just as soon as the opportunity does arise.

Ebook subscription services are going nowhere but up.

Like digital libraries, ebook subscription services are going to be a major part of the digital publishing scene over the next five years.

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This post first appeared on The International Indie Author Facebook Group on Thursday 12 November, (LINK)

Smashwords Titles Are Being Shipped To Gardners This Weekend. But How Long Before Coker Wields The Axe?

By the time you are reading this, Smashwords will have begun (October 22) shipping indie titles to the global distributor Gardners.

Based in the UK, Gardners distribute to retailers and libraries in 138 countries.

It’s a great deal for ambitious indies wanting global reach. My titles have been in Gardners for many years. Back in 2011 one became that year’s biggest selling indie ebook, and the eleventh biggest-selling ebook overall, thanks in part to Gardners. Obviously Amazon was the key player, but it was the availability in and sales from all the other UK retailers that clinched it.

I’ve long advocated indies get into Gardners, and now Smashwords has made it easy (unless you are an erotica author – Smashwords erotica titles are barred by both Gardners and OverDrive) I was initially delighted.

This new deal almost made up for the Flipkart fiasco, when Coker punished all Smashwords indie authors by axing Flipkart distribution because Flipkart wasn’t running its business to suit Amazon’s T&Cs. You couldn’t make it up…

I fear the exact same thing will happen to the Gardners partnership in the not too distant future.

Here’s why.

Smashwords indie authors were sending their titles to Flipkart and, at a later date, changing their mind and jumping into KDP Select.

KDP Select requires exclusivity, so Smashwords indies unpublish at Smashwords and Smashwords orders the partners stores to unpublish those titles.

The big players like Apple and Kobo are quick to respond. Flipkart was not so fast.

Indie authors, having done their bit and delisted from all other retailers, jump into Select and, out of the blue, comes the dreaded email from Amazon telling them they are in breach of Select rules because the title is still on Flipkart.

This meant a lot of unhappy Smashwords indies.

Coker responded by blaming Flipkart (far easier than fixing the problem at the Smashwords end), and cancelled the distribution agreement for all Smashwords authors.

No matter that most of us had no intention of jumping in and out of Select.

No matter that many of us were just beginning to gain traction in Flipkart.

As it happens there is anyway a big question mark over the future of the Flipkart ebook store right now.

But the issue here is Mark Coker letting the whims of Select-Hopping indies dictate which stores the rest of can get into.

Select-Hopping authors understandably didn’t like the Flipkart response time and Coker wielded the axe.

It’s now just a matter of time before the Gardners deal goes the same way, and for the exact same reason.

Gardners distributes to 400 global retailers. I can assure you from long years of personal experience that, no matter how quickly Gardners HQ send out the order to those retailers to make changes, not all those outlets will be fast to respond. Most will see delays of many weeks.

Many of these stores are in countries where Amazon doesn’t have a Kindle store, so the mighty Zon won’t notice if you’ve jumped into Select and your title is still on a retailer somewhere in Denmark or Poland.

Many more will be in countries that do have a Kindle store.

And when Amazon finds a Select title still lingering in a Gardners outlet in the UK, or Germany, or Italy, or Australia, or… The nasty emails will be sent, indie authors will go complaining to Mark Coker, and Mark Coker will start sharpening his axe again.

Internationalist indies looking to use Smashwords to build a global readership will once again find the rug pulled from under their feet. Hey, who cares about us? Not Mark Coker, clearly.

But there’s a simple and elegant solution, that could have been used to save the Flipkart deal, and can be used to save the Gardners deal.

Here’s the thing.

No-one is being forced to opt-in to Gardners, just as no-one was being forced to opt-in to Flipkart.

So, Mark Coker, why not just put a clear message on Smashwords that, if you opt into Gardners you should allow at least four weeks, ideally longer, for changes to be implemented.

That way indies who like to play Select-Hopping will simply not opt-in, or can plan well ahead, and internationalist indies can enjoy the fruits of the Gardners distribution deal without having to worry when the axe will fall.

With the slick and easy-access (no Meatgrinder nonsense!) Draft2Digital about to announce a deal with 24Symbols and lots of neat additions to its services, and with StreetLib and PublishDirect all offering a much broader distribution range than Smashwords does, Mark Coker needs to do everything he can to keep Smashwords relevant to indie needs as we head into the second half of this decade..

The Gardners deal is a big step in the right direction.

If it lasts.

For daily news and discussion about the global indie publishing scene join this lively Facebook Group.

The India Book Market Is Now Bigger Than The UK. The “Exploding New International Market Opportunities.”

Nielsen’s latest report on the Indian Book Market confirms what I’ve been predicting for the past few years. India has leapfrogged the UK in the global book market stakes and is now the sixth largest in the world and the second largest English-language market.

With ebook take-up in India ready to bloom over the next couple of years watch out for India leaping up that World Book Markets chart.

A reminder. India now has more people online than the US has citizens.

 @ @ @

Staying with India, I still haven’t got any satisfactory Hindi translations sorted, but regulars will know the indigenous Indian languages (there are 22 official languages in India) are a top priority for me as we head into 2016.

This latest report on Quartz (LINK)

is only about Amazon’s Hindi sales, but a safe bet we are seeing the same enthusiasm for local-language titles in other retailers.

Some retailers specialise in local languages and the key mobile app operators Rockstand and Newshunt are very keen to have them available.

Google’s South Asia VP recently said that the next 100,000,000 internet users in India will be local-language, not English.

Whatever language a person chooses (or is brought up to use) in India, I want them reading my books.

India, along with China and Indnesia, are among the most exciting prospects on the planet right now for internationalist indie authors.

Exciting times ahead!

@ @ @

How exciting? Try this.

Rakuten-owned OverDrive said this week, “We are very bullish about the exploding new international market opportunities for publishers,” as they added 300,000 titles to their catalogue and increased their reach to 50 countries, with over 500 new outlets globally. (LINK)

Music to my ears.

@ @ @

Meanwhile Ingram is also stepping up its global game.

Ingram has expanded the roster of international digital printing and distribution partners in their Global Connect program.
They will work with China National Publications Import & Export (CNPIEC) in China; Repro India in India; and Rotomail in Italy.

Sorry – lost the link, but it was reported on Publishers :Lunch.

@ @ @

StreetLib adds Scribd to its distribution hub.

On this occasion Smashwords and Draft2Digital were ahead of the game, but now Scribd is an option in the StreetLib dashboard. They also have Bookmate and 24Symbols on board, which Smashwords and Draft2Digital have not.

Scribd is a US-based but crucially internationally-available subscription service.

If a reader downloads your book and reads 20% you’ll get 60% of list price from StreetLib. That’s 1.80 for a 2.99 list price, and 0.59 for a 0.99 list price.

Even for short stories and children’s books.

@ @ @

With Oyster set to close in the new year, Smashwords is set to lose yet another partner store, hard on the heels of its ill-advised and utterly ridiculous pull-out from Flipkart.

But the pending Oyster closure has been a gift to the ebook subscription nay-sayers, who have been having fun explaining how the model was doomed to failure from day one.

Regulars will know I’m a big fan of the subscription model, and see a bright future for it.

That said, there’s no question Oyster failed, of course.

But let’s bear in mind that is started out with just an iOS app, so was only being used by Apple device owners. By the time it got around to expanding to Android Amazon had entered the game with Kindle Unlimited, yet instead of expanding globally Oyster remained obsessed with the US market.

So does Oyster’s imminent closure mean the subscription model is unviable?

Not a bit of it.

Russia’s Bookmate is doing rather well. So is Germany’s Skoobe, Spain’s 24Symbols, and a host of other global subscription services that aren’t US-focused. Skoobe has been going since 2012, 24Symbols since 2011.

There’s a great post on Skoobe over on Publishers Weekly. (LINK)

@ @ @

Selling Foreign Rights In France Is Easier Than You Think!

So said Publishing Perspectives this past week. (LINK)

There’s a popular misconception in the wider world (and especially in the Anglophone world) that France is somehow insular and elitist when it comes to literature, and not worth bothering with.

Which is kinda sad if true, as France is the fifth largest publishing nation in the world. Bigger than the UK, and second in Europe only to Germany.

Yes, they do speak French, which is extremely inconsiderate of them, so the big question for us indies is, is it worth pursuing French translations?

You just know I’m gonna say yes, so I’ll strengthen my answer by noting my flagship title Sugar & Spice sold 50,000 hardcovers in France. Not quite mega-star sales, of course, but If that isn’t worthwhile I don’t know what is.

 Anne-Solange Noble in the afore-linked post points out that the French editorial market is actually “extremely curious and open to the outside world…”

I’ve got three French translators on board right now, and while the short-term focus is on ebooks I’m looking out for another French publisher that can get me into the lucrative bricks and mortar stores in France and Belgium, not to mention Canada, and for ebooks my focus is on the nascent  digital market in France and Belgium and the embryonic digital market in the wider Francophone world.

French is the sixth most widely spoken language in the world, with well over 200 million speakers, not least here in West Africa where, despite popular misconceptions that Africans don’t read and that the internet only exists in the rich west, books are highly sought-after and free-reading sites like Wattpad are very popular.

I’m investing time and energy in finding partners to reach the Francophone world, and strongly recommend you do too.

 Would I recommend paying up-front for a translation into French?

Not if you only intend to sell ebooks. The French ebook market is just beginning to shift. My ebook sales, for a proven bestseller in print, are disappointing to say the least.

But it’s early days. My digital titles in France right now are slowly gaining traction and are I’m looking at the future, not fretting about tomorrow’s lunch.

Ebooks are a great place to start in France. Take a look at Babelcube as a great place to find translation partners.

 But don’t blinker yourself to the wider possibilities.

As I’ll be exploring in an in-depth post soon, indie authors really need to think of themselves as *content providers* pushing valuable intellectual properties, not just *ebook authors* pushing mobi and epub files, if they want to make serious headway globally as we head into the second half of this decade.

Think about the next five years, not the next five weeks.

For daily news and discussion about the global indie publishing scene join this lively Facebook Group.


Indonesia – why you should be there and how StreetLib and PublishDrive can get you a foothold.

Indonesia is a nation spread over an archipelago of more than ten thousand islands.  Yet somehow Indonesian publishers manage to sell books, are doing rather well now and expected to do very well in the near future.

Indonesia is one of the seven key countries featured at the Frankfurt Book Fair global markets focus this year, as well as being the Fair’s Guest of Honour.

Regulars will know I’ve been waxing lyrical about the prospects in Indonesia for a year or two now. Like India and China and a handful of other countries ,Indonesia has been a priority focus for me.


Because besides having the fourth largest population in the world, Indonesia is very engaged with the digital world. And the very factor that has hampered traditional publishing in Indonesia – being an archipelago of well over 10,000- islands – means Indonesia is the ideal place to sell ebooks.

So long as there is an internet connection available.

Oh, and a retailer.

The good news is, Indonesia is a hotbed of cyber-activity, and with a young population (over 80% of Indonesians are under 30) internet interaction is big. Seriously big.

The Indonesian capital Jakarta is twitter’s busiest city anywhere in the world. Indonesia is a major Facebook country (and helpfully 20% of Indonesian Facebook interaction is in English) and sees major activity with other social media, especially messaging apps.

As smartphone penetration increases so will Indonesia’s prospects as a market for digital products such as ebooks.

The bad news is, Amazon blocks downloads to Indonesia and there’s no iBooks Indonesia store (although Apple is huge in Indonesia, so it will come).

  • The good news is Google Play and Kobo are there.
  • So is eSentral. (LINK)
  • And so is Bookmate. (LINK)

In August of this year Bookmate signed a deal with IndoSat to launch the Bookmate Cipika-Books brand, (LINK)

Bookmate currently has some 2.5 million users around the world.

eSentral will get you into a number of SE Asian countries otherwise difficult to access, but let’s stick with Indonesia.

No, neither Smashwords nor Draft2Digital will get you into Bookmate. Nor Google Play. Nor eSentral.

But StreetLib (LINK)  – will get you into both Google Play and Bookmate.

PublishDirect (LINK)   – will get you into Google Play and eSentral.

For the record, pay-up-front aggregators like Bookbaby, eBook Partnership and Vearsa also get you into these stores, but the focus here is on pay-as-you-sell sell options.

Then there are the regional operators (including eSentral, which is based in Malaysia).  Another key regional player is Thailand-based Ookbee.

Indonesia-based Scoop (LINK)  is a regional player and leads the way in expanding its service out of Indonesia.

Currently no western aggregators are dealing with Ookbee or Scoop.

StreetLib, PublishDirect, et al, if you’re reading this, please take a look at Scoop and Ookbee!

Then there are the domestic Indonesian players. Not just Scoop but NulisBuku, WayangForce (LINK), IndoBooks (LINK), Qbaca (LINK), etc.

NulisBuku was one of the pioneer self-publishing platforms in Indonesia and has a great website. (LINK)

For western indies it’s important to appreciate that, while it seems as if the West is leading the way and the rest of the world has to wait until Amazon’s KDP or Smashwords or another easy-load option arrives, the reality is self-publishing is taking off all over the world without them.

Those of us who sit back and wait until  Smashwords or D2D finally realise there is a global New Renaissance unfolding are going to find ourselves entering an overcrowded market if and when we finally do take the plunge.

NulisBuku may have been the first, but bigger players are now in the Indonesian self-publishing game. Gramediana, for example, which is part of the huge Indonesia media outfit Kompas Gramedia

And you’ll be delighted to know that Gramediana have an English-language site. (LINK)

Indonesia, like China and India, is not going to make any western indies superstars overnight, but for any indie author looking to be a truly international bestselling author these three countries should be not just on your radar, but on your Invest Time & Energy In Now list.

Sow the seeds now for future harvests.

Think about the next five years, not the next five weeks.

For daily news and discussion about the global indie publishing scene join this lively Facebook Group.